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We all know that music has this direct line to the emotions: who hasn’t been embarrassed by the tears that well up as the strings swell in a sentimental film, even while the logical brain protests that this is just cynical manipulation? We can’t turn off this anticipatory instinct, nor its link to the emotions – even when we know that there’s nothing life-threatening in a Mozart sonata. “Nature’s tendency to overreact provides a golden opportunity for musicians”, says Huron.
“Composers can fashion passages that manage to provoke remarkably strong emotions using the most innocuous stimuli imaginable.”
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