以这个元素为出发点进行我的毕业设计。
【关键字】中国风；灵感创新；立体花饰
【ABSTRACT】The long prevailing China-orient www.51lunwen.com ed costume has pervaded every industry, even flying over the east coast of Pacific Ocean. The appliance of elements of Chinese ancient costume can be witnessed not only from famous costume brands, costume conferences, but also from its competitions. In the long history of China, different dynasties have distinct costumes. In order to inherit and develop the common culture of our tradition and costume with over five thousand years, this thesis endeavors to innovate the elements of Chinese ancient costume, http://www.51lunwen.com/maintaining the nationality and embodying the modernity. As the costume industry develops so fast, every designer, who always catches every detail to develop, persists in innovation of design, inspiration, pattern, color, material and craft, etc. However, the pattern designing seems to have reached the summit, so numerous designers are seeking new inspiration and concepts. For example, in the spring and autumn press conference of prada2009, the craft of python texture and crumpled material has been applied, whereas Chanel changes its persistent classical black and white into three-dimensional floriation with folded ivory paper, offering a brand new appearance. It is destined for decoration craft to prevail after its on show again and again.
The craft of costume decoration,http://www.51lunwen.com/Clothingdesign/2011/0407/lw201104071448489298.html every of which contains numerous branches, can be classified as embroidery, knitting, drawing, printing and dyeing, etc. So it will be a huge project if every branch of this craft is applied to every clothes. Adopting a small branch of this craft of knitting——three-dimensional floriation, the author will talk about her some acquisition of it and design her thesis on the basis of it.
【Key words】China-oriented costume;the innovation of inspiration;three-dimensional floriation
1绪论
服装装饰工艺
俗称用特殊技艺加工的有一定艺术性装饰的服装工艺。通常分刺绣装饰工艺、编结装饰工艺、印染装饰工艺、手绘装饰工艺和现代手工艺装饰等。 1.1刺绣装饰服装
参考文献：
[1].服装造型学技术篇3（中屋 典子 三吉满智子 主编） [2].易学实用服装裁剪（郑广厚 编著） [3].中国服装设计网、
融合——民族染织在服装中的再创造 摘要
随着时代的进步和科学技术的发展，人们的生活条件和审美情趣都有了很多变化。起源于我
国的扎染技艺流传至今，已有两千多年的历史。它是我国文化遗产中的瑰论文代写宝，并在现实生活中越来越显示出独特的魅力和活力。这说明这种古老的艺术有着顽强的生命力和艺术感染力，很值得我们去挖掘，整理。但是这门传统的技法也有其局限性，需要我们去研究，去创新，使其焕发新活力，保持永恒的魅力。因此作为一个服装设计专业的学生，有责任将这项流传于民间的民族艺术继承下来，发 无忧论文网 http://www.51lunwen.com/Clothingdesign/2011/0407/lw201104071445359605.html扬光大，并使之走向世界。而且随着回归自然，推行环保，崇尚质朴之风日益流行，手工制作， 清新、朴实、风格朴素的扎染服装受到人们的喜爱，扮演着越来越重要的角色。
本文通过对民族服饰的实地考察以及对“扎染”这一民间工艺的深入了解， 在保留民族文化精髓的基础上，吸取传统的、民间的养分，以东方之“态”与西方之“形”相结合进行设计，演绎出具有中国特色的服饰文化。我的毕业设计《融合》中重点针对传统的扎染工艺在现代服装的再创造作进行了的详细的论述。
关键字：扎染；融合；再创造；造型
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