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À´Ô´£ºÓû§·ÖÏí ʱ¼ä£º2020-06-28 ±¾ÎÄÓÉÀëÈËÔõÍì ·ÖÏí ÏÂÔØÕâÆªÎĵµ ÊÖ»ú°æ
˵Ã÷£ºÎÄÕÂÄÚÈݽö¹©Ô¤ÀÀ£¬²¿·ÖÄÚÈÝ¿ÉÄܲ»È«£¬ÐèÒªÍêÕûÎĵµ»òÕßÐèÒª¸´ÖÆÄÚÈÝ£¬ÇëÏÂÔØwordºóʹÓá£ÏÂÔØwordÓÐÎÊÌâÇëÌí¼Ó΢ÐźÅ:xxxxxx»òQQ£ºxxxxxx ´¦Àí£¨¾¡¿ÉÄܸøÄúÌṩÍêÕûÎĵµ£©£¬¸ÐлÄúµÄÖ§³ÖÓëÁ½⡣

J: So did I!

Y: ¿ÉÊÇÄã±¾À´¾ÍÊÇÒâ´óÀûÈ˰¡¡£

J: Yes I am. But it made me feel more Italian. You know, in the U.S. sometimes it's hard to preserve your culture and your heritage.

Y: Äã˵µÄû´í¡£²»¹ýÕâÖÖ½ÖÍ·ÎÄ»¯½Ú¾ÍÊÇÒ»ÖÖ´«²¥ÎÄ»¯µÄºÃ·½·¨¡£

J: That is right. In this next quote, Diana explains how a street festival can help to preserve your culture and heritage.

Diana Crespi: Italian-Americans aren't looked on as a separate minority in this country; it becomes harder and harder to preserve your culture and heritage. So Festive Italiana really gives the active Italian-American population something to cling onto and a way to preserve their heritage, to promote the culture, the positive part of their culture.

Y: Ëý¸Õ²Å˵µÄcling ontoÊÇʲôÒâ˼£¿

J: To cling onto something means to hold tightly, either with your hands like clinging onto to a rope or with your mind like clinging onto an idea or your heritage.

Y: ¾ÍÊÇץסʲô¶«Î÷²»·ÅµÄÒâ˼£¬±ÈÈçÓÃÊÖץסÉþ×Ó£¬»òÕß˵¶ÔÒ»¸öÏë·¨²»Ô¸Òâ·ÅÆú¡£ ˵µ½¼Ì³ÐÎÄ»¯ÒŲú£¬¶ÔÓÚÃÀ¹úÕâ¸ö¶àÃñ×åµÄ¹ú¼Ò£¬ ά»¤¸÷Ãñ×åµÄÎÄ»¯ÓÐÊ²Ã´ÖØÒªÒâÒåÄØ£¿ J:Now let's hear again from Diana.

Diana: And it's important to the fabric of the United States It's important for all cultures to do that not just Italian-Americans.

Y£ºFabric of the United State£¬ÎÒºÃϲ»¶Õâ¸ö˵·¨¡£

J£ºSo do I. Because fabric of the United States really describes the diversity of the American culture. Y£º¶Ô£¬ÓÃfabricÀ´ÐÎÈÝÃÀ¹úÊÇÓɲ»Í¬ÎÄ»¯×é³ÉµÄ¹ú¼Ò£¬ÕæµÄºÜÐÎÏñ¡£ÄãÖªµÀÎÒÏÖÔÚÔÚÏëʲô£¿

J£ºWhat's that?

Y£º×÷Ò»ÌìµÄÒâ´óÀûÈËÊǺÜÓÐÒâ˼¡£²»¹ý×öÒ»ÌìÒâ´óÀûÈË»¹²»¹»¡£ÎÒºÞ²»µÃÃ÷Ìì¾Í·Éµ½Òâ´óÀûÈ¥¡£ºÍÎÒÒ»ÆðÈ¥ºÃÂ𣿠J£ºThat's a great idea. But I think we have to wait a little bit. I just came back. But we can play some Italian music in the meantime.

30 James Millard on Teaching Hongloumeng Y£º¸÷λÌýÖں㬻¶Ó­Äúµ½ÃÀÓï¿§·ÈÎÝ¡£ÎÒÊÇÑ¡£

J: And I'm Jody! Welcome to American Cafe! Thanks for dropping in. Y: Jody ÎÒ½ñÌìºÃ¸ßÐË£¡ J: Why are you so excited?

Y: ÒòΪÎÒ¸ÕÈÏʶÁËһλÔÚÇÇÖγǴóѧ½ÌºìÂ¥ÃεĽÌÊÚ¡£

J: Oh, well no wonder you are so happy! I know how much you love Hongloumeng.

Y: û´í£¬ÒòΪ¡¶ºìÂ¥ÃΡ·ÊÇÈËÀàÀúÊ·ÉÏ×îΰ´óµÄС˵¡£ J: Yes, well, to you...it is.

Y: ÄãÄÇÊÇʲô±íÇé°¡¡£ÄãÏëÏëÊÀ½çÄÇÀﻹÓÐÒ»²¿Ð¡ËµÏ󡶺ìÂ¥ÃΡ·ÄÇÑùÃèдÁËÄÇô¶àÉú¶¯µÄÈËÎï¡£ J: Really? ÄÇÎÒÏóºìÂ¥ÃÎÀïµÄÄǸöÈËÎ

Y: Õâ¸öÎҵȻá¶ùÔÙ¸æËßÄã¡£ÎÒÃÇÏÈÀ´Èôó¼ÒÈÏʶһÏ Millward ½ÌÊÚ£¬Ëû»¹ÓиöÖÐÎÄÃû×Ö£¬½ÐÃ×»ª½¡¡£ËûÆäʵÊÇÀúÊ·½ÌÊÚ¡£

J: A history professor? Then why he is teaching Hongloumeng? Y: ÎÒÃǾÍÈÃÃ×»ª½¡½ÌÊÚÇ××ÔÀ´½âÊÍÒ»ÏÂËûΪʲôÔÚÀúÊ·¿ÎÉϽ̡¶ºìÂ¥ÃΡ·£º

James Millward: Well, I've always taught Chinese history and I thought, well it would be nice to teach something that stresses the cultural side of Chinese history as well. And so I thought why not teach

Hongloumeng and I wonder if we could use Hongloumeng as a historical source to understand 18th century China.

Y: Äã¾õ²»¾õÃ×»ª½¡½ÌÊÚºÜÓд´Ò⣿ÈÃѧÉúͨ¹ý¡¶ºìÂ¥ÃΡ·À´Á˽⵱ʱÖйúµÄÉç»á¡£

J: That is much more creative because, you know, history can be pretty boring. yawn! Y: û´í¡£Èç¹ûÄãÒ»±ß¶Á¡¶ºìÂ¥ÃΡ·£¬Ò»±ßѧÀúÊ·¾Í²»»á¾õµÃ¿ÝÔïÁË¡£

J: But I wonder what can they learn from Hongloumeng. Isn't it just a love story? Y: ÄÇÎÒÃÇÌýÌýÃ×»ª½¡½ÌÊÚÊÇÔõô˵µÄ£º

James Millward: We read about Qing Dynasty government and Qing Dynasty society, and the legal system. There are a lot of court cases talked about in the book, Xue Pan. And we read about gender, history of gender and gender relations and women. We read about poetry and the role of poetry and, in particular, about women writing poetry; we read about art and art history. J: Wow. So it's not just a boy-meets-girl love story.

Y: µ±È»²»ÊÇ£¡ ¡¶ºìÂ¥ÃΡ·¿É²»ÊÇÒ»²¿¼òµ¥°®ÇéС˵.ËüÆäʵÊÇÒ»²¿Éç»áС˵¡£ J: Well, did the students like the book? Y:ÄÇÎÒÃÇÀ´ÎÊÎÊÃ×»ª½¡½ÌÊÚ£º

James Millward: They liked it. They did find it long. They were glad when they were done. You know, if you sit down in the summer and read the whole thing from beginning to end, it doesn't feel long; but if you are reading it every week, it's like homework, and so it's not as much fun. Y: ÄãÌýµ½ÁËÂ𣬠Ã×»ª½¡½ÌÊÚҲ˵ÁË£¬ÏÄÌì¶Á¡¶ºìÂ¥ÃΡ·ÊÇÒ»ÖÖÕæÕýµÄÏíÊÜ¡£ J: Yeah, but how long is it, Yang Chen? Y: ²»Ì«³¤£¬Ö»ÓÐÒ»°Ù¶þÊ®»Ø¡£

J: ²»Ì«³¤? What do you mean!?!? One hundred twenty chapters? Hey, is there a comic book version of Hongloumeng?

Y: Óа¡£¬ ÎÒ¾ÍÓÐÒ»Ìס£²»¹ýÎÒ½¨ÒéÄãÏÈ¿´Ô­Öø¡£ Ò²ÐíÊÇÒòΪÎÄ»¯²îÒ죬ÃÀ¹úѧÉúºÍÖйúѧÉú¿´¡¶ºìÂ¥ÃΡ·»áÓв»Í¬µÄ¸ÐÊÜ£¬ ÎÒÎÊÃ×»ª½¡½ÌÊÚËûµÄѧÉú×îϲ»¶ÄĸöÈËÎï.ËûÊÇÕâô˵µÄ£º

James Millward: I know in China as well there is always a big debate about who would you rather have as your wife, Lin Daiyu or Xue Baochai. Generally American students found Lin Daiyu to be kind of whiny, and to be lying there all the time and complaining all the time and they didn't really like her character very

much. Some of them liked Xue Baochai, although of them found her a little bit calculating. Many of them actually liked Wang Xifeng because they saw her as a very capable woman. Y: ·Ç³£ÓÐÒâ˼¡£ÕâЩÃÀ¹úѧÉú¾õµÃÁÖ÷ìÓñϲ»¶±§Ô¹£¬whiny¡£ J: Whiny. That's not a good trait for a woman.

Y: ÓÐЩÈËϲ»¶Ñ¦±¦îΣ¬¿ÉÊÇÓÖ¾õµÃËýÌ«ºÜÓÐÐļƣ¬calculating¡£

J: Calculating? That's another bad quality. Are there any good women to like in Hongloumeng. Y: Äã¿´ËûÃǶ¼Ï²»¶ÍõÎõ·ï¡£°¥£¬ÄãÒ»¿ªÊ¼²»ÊÇÎÊÎÒÄãÏ󡶺ìÂ¥ÃΡ·ÀïµÄÄĸöÈËÎïÂí£¿ÎÒ¿´°¡£¬Äã¾ÍÏóÍõÎõ·ï¡£ J: Why? What's wrong with her? Y: She's perfect!

J: Oh, okay. I'll have to read the book to find out because, Yang Chen, maybe I don't believe you. Y: Äã×îºÃÏàÐÅÎÒ¡£

J: Now what about you? Hongloumeng is your favorite book. I know you've read many many times, which character would you like to play? Y: ¼Ö±¦Óñ£¡

J: Jia Baoyu. Who's that? Y: ÄÐÖ÷½Ç°¡£¡

J: A man! Well, we're going to have to talk about that later. Thanks for joining us on today's American Cafe.

Y: ºÃ½ñÌìµÄÃÀÓï¿§·ÈÎݾ͵½ÕâÀï¡£ÎÒÃÇÏ´νÚÄ¿ÔÙ¼û£¡ J: A man? What do you mean a man? 31 What is a Bonfire?

(Enter sound of woods and a small fire) Y: ¸÷λÌýÖں᣻¶Ó­ÊÕÌýÃÀÓï¿§·ÈÎÝ¡£ÎÒÊÇÑ¡£

J: Hello everyone! I'm Jody! Welcome to American Cafe! Except today, we're not in the Cafe. Y: û´í¡£ÎÒÃÇÏÖÔÚÊÇÊ÷ÁÖÀï¡£²»¹ýÕâ¶¼ÊÇJodyµÄÖ÷Ò⣬Èç¹ûÎÒÓÐÑ¡Ôñ£¬ÎÒÄþ¿ÉÊæÊæ·þ·þµØ´ôÔÚ¿§·È¹ÝÀï¡£

J: Aw come on, Yang Chen, this is going to be fun. Out in the woods enjoying a campfire. This is what I call living large! Living the good life! Don't ya (you) think?

Y: Äã˵µÃµ½ÇáËÉ¡£Living large»îµÃ×ÔÓÉ×ÔÔÚ¡£Ïȱð×ÔÔÚÁË£¬Äã¿´ÎÒÃǵãµÄ»ð¶¼¿ìÃðÁË£¬¿ìÄÃÊÖµçͲÀ´¡£ J: You said you were bringing the flashlights.

Y: Jody!! Äã²»ÊÇ˵ÄãÒªÄÃÊÖµçͲÂ𣿠°¥Ñ½£¬ÏÖÔÚÔõô°ìÄØ¡£ J: Hey, there's no reason to panic. (Enter animal sound)

Y: (getting anxious) Jody! ÕâÊÇʲôÉùÒô£¬ºóÃæÊDz»ÊÇÓÐÀǰ¡£¿

J: That's not a wolf. It was probably just a raccoon. We're fine, Yang Chen.

Y: ÌýÕâÉùÒôºÃÏóÊÇÒ»¸ö¸öÍ·ºÜ´óµÄ¶¯Îï. ÎÒÃÇÔÚÊ÷ÁÖÀ»ðÓÖ¿ìÃðÁË¡£¶¼¹ÖÄã·ÇÒªµ½ÕâÀïÀ´×÷½ÚÄ¿¡£Äã¸Ï¿ìÏë°ì·¨ÈûðÉÕµÃÍúÒ»µãºÃ²»ºÃ£¡

J: Okay, okay. Calm down. How big do you want the fire, Yang Chen? Do you want it as big as a bonfire? Y: Bonfire? ÊÇʲô£¿

J: A bonfire? Well, it just so happens that on today's show we have two experts, you could say, on bonfires. Aren't we lucky? Heh heh.

Y: Lucky? ½ñÌìÎÒÃÇÕâôµ¹Ã¹Ä㻹¸Ò˵ÊÇlucky?

J: Oh, whatever. Let's go to our guests. First let's hear from our good friend CT, a man who claims to have built over 100 bonfires in his life.

CT: A bonfire is a large campfire. It is just a bunch of wood you collect from natural surroundings and put into a pile and then you light it on fire. And ideally you have more wood and you keep throwing it on and on, making the flames bigger and bigger and then it burns out.

Y: Bonfire ¾ÍÊÇóô»ð£¬Ö»²»¹ý±ÈÆÕͨµÄóô»ðÒª´ó£¬Jody, Ëû¸Õ²Å˵µãÕâÖÖóô»ðҪ׼±¸ºÜ¶àľͷ£¬²»¶ÏµØÍù»ðÀïÈÓ¡£ J: Yeah, I heard that. He did say that ideally you have more wood and you keep throwing it on the fire. Heh, what a great idea. Okay, I'll go get some more wood while CT tells how big a bonfire should be.

CT: Well it depends on your neighbors. If your neighbors like bonfires I would say you could have a nice size fire in a plot of land that is 20 meters by 20 meters. But maybe you want to have something that's 50 meters by 50 meters. Then you can have a big bonfire.

Y: ÎÒÃǵ¹ÊDz»Óõ£ÐÄÁÚ¾ÓÃÇ»áÓÐÒâ¼û¡£ÒòΪÏÖÔÚ³ýÁËÎÒÃÇÁ½È˸½½ü¸ù±¾Ã»ÓÐÈË! J: Yang Chen, you really must calm down. Here, have a beer. (Enter sound of beer can opening)

Y: Ì«°ôÁË¡£Äã¿ÉÕæÐУ¬ÍüÁËÊÖµçͲ£¬µ¹ÊÇûÓÐÍü¼Ç´øÆ¡¾Æ¡£

J: Hey, I do have my priorities. But look at all the wood I gathered! (Enter sound of wood dropping to the ground)

Y: ²»´í¡£²»¹ýÎÒ»¹ÊÇÏëÌýÌýÄãÈÏʶµÄÄÇÁ½¸öËùνµÄר¼Ò»¹ÓÐʲô¸ß¼û¡£ J: Good idea. Here's Marty.

Marty: Uh...a bonfire is anytime you're burning any lengths of wood. You can throw in trees ... that's a bonfire. When you get a full tree in ... that's a bonfire. The bigger the better. Y: ÎÒϲ»¶Ëû˵µÄ \£¬Ô½´óÔ½ºÃ¡£

J: And don't forget...it's getting darker and darker. Heh, boy, fire is really important. Y: ÄãºÜ´ÏÃ÷¡£

J: Yang Chen, I bet this is what primitive people, you knowԭʼÈË, felt like thousands of years ago. Y: ÎÒÕæÅå·þÄãµÄÏëÏóÁ¦¡£¿ÉÎÒÃÇûÓÐÉú»îÔÚԭʼÉç»á£¬¸ÉÂðҪûÊÂÕÒ×ïÊÜÄØ£¿ J: Well, I'm just saying that people like fire. Y: Ϊʲô£¿

J: It feels good and, I think, it touches part of our primal side. Again here's Marty.

Marty: I am just watching the flames and burning stuff. It's primal burning things. I mean this is like the original source of heat in the world; it is burning wood so ...It smells good. Radiant heat is just beautiful heat; how it radiates out at you and warms your whole body. (Enter sound of roaring fire)

Y: Mary ˵µÄprimal side¾ÍÊÇԭʼµÄ±¾ÄÜ¡£ ÎÒ²»ÖªµÀ¿¾»ðÊDz»ÊÇÄÜÈÃÒ»¸öÈË¿´µ½×Ô¼ºÔ­Ê¼±¾ÄÜ£¬²»¹ýÎÒ¾õµÃóô»ðÉ¢·¢³öÀ´µÄ¹âºÍÈȸøÁËÎÒÒ»ÖÖ°²È«¸Ð¡£ Äã¾õµÃÎÒÃÇÁ½¸öÈ˵ãÕâô´óµÄóô»ðÊDz»ÊÇÌ«ÀË·ÑľͷÁË£¿ J: Boy, you are just never happy. Here let's have a drink to a bonfire! J&Y: Cheers!

Y: ¸÷λÌýÖÚÎÒÃÇÏ´νÚÄ¿ÔÙ¼û

J: See you next time on American Cafe. Next time I think we'll actually be in the cafe! See you later! 32 Martys Favorite Bonfire

J: Hello I'm Jody! Welcome to American Cafe!

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